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The Inspired Roots, LLC.
LIVING OUR LIVES INSPIRED BY YAHUAH
Gallery IV: The Voices of Memories
This gallery brings together the human and nonhuman testimonies of Hurricane Katrina. Here, stories from survivors, artists, historians, water, land, and infrastructure intertwine to illuminate how disasters are co-created across social, ecological, and political systems. This space invites you to listen, witness, and reconsider what it means for a landscape—and a community—to remember.

01
Human Voices: Witnessing the Storm
These testimonies capture the lived experience of Katrina’s landfall and aftermath—the uncertainty, the fear, the waiting, and the abandonment. Survivors speak to the racial and economic inequalities that shaped evacuation, relief, and recovery.
Transcripts
​"102...I need someone out here, ma'am. I'm going to die in this attic. The water is steady rising in the attic, ma'am... and I'm going to drown in the attic. I'm 37 years old."
"Zero. Pray fo' me here. Oh, sir, I'm gonna pray for everybody, even myself."
Dispatch: "Your daddy's gonna take care of you, ok baby. " Sarah Armstrong: "I'm scared, the water's to my knees." Dispatch: "I know baby, but your daddy's gon' take care of you, ok." Sarah Armstrong: "I want to get out of here." Dispatch: "Sarah, listen to me ok." Sarah Armstrong: "Yes, ma'am..." Dispatch: "Listen to me, ok. Your daddy and your momma are right there with you. Their not gonna let anything happen to you, ok."
"My mother and I are stranded in the attic and she's a diabetic."

The wetlands recount a story decades in the making. Long before Katrina, fossil fuel infrastructure carved pathways for saltwater, eroding the natural buffers that once protected New Orleans. This is the slow violence that made fast disaster possible.
![]() Roland Golden"The Other Side of Caution" Two orange-and-white barricades block a street having damaged houses and downed powerlines. A White corner building a pergola supported by two rectangle columns. The building is surrounded by debris, including household furniture. |
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Roland Golden, (1931 - 2019)
Ferrara Showman Gallery
![]() Ted Ellis |
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Ted Ellis Art
A New Orleans Painter
Ted Ellis Commemorates Hurricane Katrina with his Artwork
A New Orleans Painter's collection titled,
"Paintings of Anguish and Hope After Hurricane Katrina"
Exhibition: This City Holds Us - Twenty Years After Hurricane Katrina
July 22, 2025 - September 13, 2025
02
Cultural Memory Keepers Artists, Musicians, & Historians: Rebuilding Through Memory
After Katrina, cultural memory workers—artists, musicians, historians—became archivists of loss and renewal.
Their work holds space for grief, remembrance, and transformation. Through sound, image, and storytelling, they document what cannot be captured by official reports.

Water is not silent. Its movement during Katrina was forceful, chaotic, and directive. In this testimony, water speaks through pressure, speed, collapse, and inundation—reminding us that memory is also material and fluid.
03
Nonhuman Testimonies: When Nature Speaks
In this section, the landscape itself becomes a storyteller. Through animated maps, hydrological models, and layered sound, the levees, wetlands, and floodwaters recount their own roles in the unfolding of Hurricane Katrina.
These “nonhuman testimonies” reveal how infrastructures weakened over decades, how wetlands eroded through slow violence, and how water followed the paths carved by industry and neglect. By giving voice to these environmental actors, the gallery disrupts human-centered narratives and highlights the intertwined agencies that shaped both the catastrophe and its aftermath.
Artist's Rendition / CGI Recreation of Hurricane Katrina's affects on New Orleans the moment the levees broke, 3 days after the storm hit when many were claiming "we dodged a bullet" - video credit 'Five Days at Memorial.'
Credit: AJFraser (YouTube)
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01.
Distributed Agency
Distribution Agency
There's no single actor—human or nonhuman—creates an event alone. Instead, disasters like Katrina emerge from entangled networks: levees, wetlands, policymakers, storms, builders, and residents all co-produce outcomes. This framework helps us understand memory as multi-sourced, shaped not only by survivor testimony but also by the material actions of water, land loss, and failing infrastructure.
02.
Black Ecological Knowledge
This foregrounds the ways Black communities interpret land, weather, and environmental precarity through lived experience, cultural memory, and survival strategies. In Katrina’s aftermath, this knowledge exposed the racialized nature of vulnerability, evacuation, and state abandonment. Centering this epistemology reveals how Black storytelling, music, and spatial memory offer alternative ecological narratives often erased from official accounts.
03.
Slow Violence
Slow violence reveals how harm is inflicted incrementally and invisibly over years, only erupting visibly during a disaster. Along the Gulf Coast, decades of wetland erosion, oil-company canal cutting, and underfunded flood protection systems created vulnerability long before Katrina made landfall. This framework reframes the storm not as a sudden catastrophe but as the culmination of long-term environmental injustice and neglect.
04.
Indigenous Epistemology
Indigenous epistemologies view land, water, and weather as sentient participants in history, carrying lessons, warnings, and memories. These ways of knowing foreground reciprocity and relationality, contrasting sharply with extractive colonial frameworks. Applied to Katrina, Indigenous perspectives illuminate how the storm interacts with centuries of land loss, stewardship disruption, and environmental dispossession, offering deeper insight into ecological time and resilience.

































